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		<title><![CDATA[Front Desk Architects and Planners Forum - Conservation]]></title>
		<link>https://frontdesk.co.in/forum/</link>
		<description><![CDATA[Front Desk Architects and Planners Forum - https://frontdesk.co.in/forum]]></description>
		<pubDate>Fri, 23 Oct 2026 06:08:56 +0000</pubDate>
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			<title><![CDATA[Jeypore portfolio of architecture details Part-1 Coping and Plinths]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=3636</link>
			<pubDate>Thu, 02 Nov 2023 11:36:31 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3">Manish Jain</a>]]></dc:creator>
			<guid isPermaLink="false">https://frontdesk.co.in/forum/showthread.php?tid=3636</guid>
			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b"><span style="font-size: large;" class="mycode_size">Jeypore portfolio of architecture details</span></span><br />
<span style="font-weight: bold;" class="mycode_b">Part-1 Coping and Plinths :</span><br />
<br />
Plate 1 : Coping from Zanana palace , Jas Mandir, Diwan Khana and Ganesh pol at Amber, Jaipur<br />
<br />
<a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/#fig1" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-80x80.png" loading="lazy"  alt="[Image: image-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/#fig3" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-2-80x80.png" loading="lazy"  alt="[Image: image-2-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/#fig4" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-4-80x80.png" loading="lazy"  alt="[Image: image-4-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/#fig5" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-5-80x80.png" loading="lazy"  alt="[Image: image-5-80x80.png]" class="mycode_img img-responsive" /></a><br />
<a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/" target="_blank" rel="noopener" class="mycode_url">Plate 2</a> : Coping from Jagatsarwan Mandir (Jagat Shiromani Ji temple) and Bhatji's House at Amber <br />
<br />
<a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/#fig1" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-6-80x80.png" loading="lazy"  alt="[Image: image-6-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/#fig2" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-7-80x80.png" loading="lazy"  alt="[Image: image-7-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/#fig3" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-8-80x80.png" loading="lazy"  alt="[Image: image-8-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/#fig4" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-9-80x80.png" loading="lazy"  alt="[Image: image-9-80x80.png]" class="mycode_img img-responsive" /></a><br />
<a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/" target="_blank" rel="noopener" class="mycode_url"><br />
Plate 3</a> : Coping from Madho-Bilas and Cenotaph of Maharaja Sawai Jaysingh at Jaipur]]></description>
			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b"><span style="font-size: large;" class="mycode_size">Jeypore portfolio of architecture details</span></span><br />
<span style="font-weight: bold;" class="mycode_b">Part-1 Coping and Plinths :</span><br />
<br />
Plate 1 : Coping from Zanana palace , Jas Mandir, Diwan Khana and Ganesh pol at Amber, Jaipur<br />
<br />
<a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/#fig1" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-80x80.png" loading="lazy"  alt="[Image: image-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/#fig3" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-2-80x80.png" loading="lazy"  alt="[Image: image-2-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/#fig4" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-4-80x80.png" loading="lazy"  alt="[Image: image-4-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/#fig5" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-5-80x80.png" loading="lazy"  alt="[Image: image-5-80x80.png]" class="mycode_img img-responsive" /></a><br />
<a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-2/" target="_blank" rel="noopener" class="mycode_url">Plate 2</a> : Coping from Jagatsarwan Mandir (Jagat Shiromani Ji temple) and Bhatji's House at Amber <br />
<br />
<a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/#fig1" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-6-80x80.png" loading="lazy"  alt="[Image: image-6-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/#fig2" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-7-80x80.png" loading="lazy"  alt="[Image: image-7-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/#fig3" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-8-80x80.png" loading="lazy"  alt="[Image: image-8-80x80.png]" class="mycode_img img-responsive" /></a><a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/#fig4" target="_blank" rel="noopener" class="mycode_url"><img src="https://frontdesk.co.in/wp-content/uploads/2023/10/image-9-80x80.png" loading="lazy"  alt="[Image: image-9-80x80.png]" class="mycode_img img-responsive" /></a><br />
<a href="https://frontdesk.co.in/cultural-heritage/jeypore-portfolio-part-1-plate-3/" target="_blank" rel="noopener" class="mycode_url"><br />
Plate 3</a> : Coping from Madho-Bilas and Cenotaph of Maharaja Sawai Jaysingh at Jaipur]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Jaipur - A UNESCO World heritage city]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=3391</link>
			<pubDate>Wed, 06 Jul 2022 07:55:08 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3">Manish Jain</a>]]></dc:creator>
			<guid isPermaLink="false">https://frontdesk.co.in/forum/showthread.php?tid=3391</guid>
			<description><![CDATA[Jaipur is declared as world heritage city by UNESCO in year 2019 <br />
The walled city of Jaipur, in India’s north-western state of Rajasthan was founded in 1727 by Sawai Jai Singh II. Unlike other cities in the region located in hilly terrain, Jaipur was established on the plain and built according to a grid plan interpreted in the light of Vedic architecture. The streets feature continuous colonnaded businesses that intersect in the centre, creating large public squares called chaupars. Markets, shops, residences and temples built along the main streets have uniform facades. The city's urban planning shows an exchange of ideas from ancient Hindu and early modern Mughal as well as Western cultures. The grid plan is a model that prevails in the West, while the organization of the different city sectors (chowkris) refers to traditional Hindu concepts. Designed to be a commercial capital, the city has maintained its local commercial, artisanal and cooperative traditions to this day.<br />
<br />
Definitely not for international visibility or UNESCO branding as it already has both. The sole intention of inscribing Jaipur on WH is to protect and safe gaurd its Outstanding Universal Value which seemed to be getting lost with developmental pressures recently. Just the recommendation itself led to changes such as declaring the walled city as no construction zone, continuing with INTACH inventorying, City Wall project, HIAs and adopting Architectural Control Guidelines. With inscription this will further ensure action on 6 points outlined by WHC and ICOMOS. This is the difference in enabling works in developed vis a vis developing countries that all in World heritage need to understand.<br />
<br />
<span style="font-weight: bold;" class="mycode_b">Three criteria's which makes Jaipur in World heritage list</span><br />
<br />
Jaipur is an expression of the astronomical skills, living traditions, unique urban form and exemplary innovative city planning of an 18th century city from India.<br />
<br />
Criterion (ii): <br />
Jaipur is an exemplary development in town planning and architecture that demonstrates an amalgamation and important interchange of several ideas over the late medieval period. It shows an interchange of ancient Hindu, Mughal and contemporary Western ideas that resulted in the customized layout of the city. It is believed that Raja Jai Singh arrived at the final layout after a thorough analysis of several town plans sourced from across the globe. Following the grid-iron plan prevalent in the west but with traditional zoning, superimposed by the desire to rival Mughal cities, Jaipur reflected new concepts for a thriving trade and commerce hub that became a model for the later towns in the adjoining Shekhawati region and others parts of Western India.<br />
<br />
Criterion (iv): <br />
Jaipur represents a dramatic departure from extant medieval cities with its ordered, grid-like structure – broad streets, crisscrossing at right angles, earmarked sites for buildings, palaces, havelis, temples and gardens, neighborhoods designated for particular castes and occupations. The main markets, shops, havelis and temples on the main streets were constructed by the state, thus ensuring that a uniform street façade was maintained in Jaipur. The city planning of Jaipur remains a unique response to the terrain that amalgamates ideas from an ancient Indian treatise to contemporary global town plans and Imperial Mughal architecture to finally produce a monumental urban form, unparalleled in its scale and magnificence for its times. While the grid iron pattern of planning has been used historically in city planning, its application at such a monumental scale for a planned trade city, along with its particular urban form, makes it an important example in the history of urban planning of the Indian subcontinent. The continuity of the architecture and urban form is enhanced by the functions of trade and craftsmanship that reflect the living heritage character of this innovative urban settlement.<br />
<br />
Criterion (vi): <br />
Historically, the city is said to have housed “<span style="font-weight: bold;" class="mycode_b">chattis karkhanas” (36 industries)</span>, the majority of which included crafts like gemstones, lac jewellery, stone idols, miniature paintings, each with a specified street and market some of which continue to exist. During 19th century, the local crafts received further momentum with British period influences in special exhibitions held in United Kingdom, establishment of institutions such as the Rajasthan School of Arts and Albert Hall Museum. While the local traditions of guilds continued, formal institutions for crafts, policies and programmes by Government and the private sector further contributed to national and international recognition of Jaipur crafts in the 20th and 21st centuries. There are 11 surviving crafts, and continuing building crafts of Jaipur contribute much to the conservation works of the city, and the renowned craftsmen from Jaipur continue to conserve and restore historic structures across many cities in India.<br />
<br />
<br />
for more detail... <br />
<a href="https://whc.unesco.org/en/list/1605/" target="_blank" rel="noopener" class="mycode_url">https://whc.unesco.org/en/list/1605/</a><br />
<a href="https://www.facebook.com/airnewsalerts/videos/341371246760580/" target="_blank" rel="noopener" class="mycode_url">https://www.facebook.com/airnewsalerts/v...246760580/</a><br />
<br />
<a href="https://whc.unesco.org/en/list/1605/" target="_blank" rel="noopener" class="mycode_url"><div class="bootbb-video-container" style="max-width:800px"><iframe src="https://www.facebook.com/video/embed?video_id=341371246760580" width="800" height="450" frameborder="0"></iframe></div></a>]]></description>
			<content:encoded><![CDATA[Jaipur is declared as world heritage city by UNESCO in year 2019 <br />
The walled city of Jaipur, in India’s north-western state of Rajasthan was founded in 1727 by Sawai Jai Singh II. Unlike other cities in the region located in hilly terrain, Jaipur was established on the plain and built according to a grid plan interpreted in the light of Vedic architecture. The streets feature continuous colonnaded businesses that intersect in the centre, creating large public squares called chaupars. Markets, shops, residences and temples built along the main streets have uniform facades. The city's urban planning shows an exchange of ideas from ancient Hindu and early modern Mughal as well as Western cultures. The grid plan is a model that prevails in the West, while the organization of the different city sectors (chowkris) refers to traditional Hindu concepts. Designed to be a commercial capital, the city has maintained its local commercial, artisanal and cooperative traditions to this day.<br />
<br />
Definitely not for international visibility or UNESCO branding as it already has both. The sole intention of inscribing Jaipur on WH is to protect and safe gaurd its Outstanding Universal Value which seemed to be getting lost with developmental pressures recently. Just the recommendation itself led to changes such as declaring the walled city as no construction zone, continuing with INTACH inventorying, City Wall project, HIAs and adopting Architectural Control Guidelines. With inscription this will further ensure action on 6 points outlined by WHC and ICOMOS. This is the difference in enabling works in developed vis a vis developing countries that all in World heritage need to understand.<br />
<br />
<span style="font-weight: bold;" class="mycode_b">Three criteria's which makes Jaipur in World heritage list</span><br />
<br />
Jaipur is an expression of the astronomical skills, living traditions, unique urban form and exemplary innovative city planning of an 18th century city from India.<br />
<br />
Criterion (ii): <br />
Jaipur is an exemplary development in town planning and architecture that demonstrates an amalgamation and important interchange of several ideas over the late medieval period. It shows an interchange of ancient Hindu, Mughal and contemporary Western ideas that resulted in the customized layout of the city. It is believed that Raja Jai Singh arrived at the final layout after a thorough analysis of several town plans sourced from across the globe. Following the grid-iron plan prevalent in the west but with traditional zoning, superimposed by the desire to rival Mughal cities, Jaipur reflected new concepts for a thriving trade and commerce hub that became a model for the later towns in the adjoining Shekhawati region and others parts of Western India.<br />
<br />
Criterion (iv): <br />
Jaipur represents a dramatic departure from extant medieval cities with its ordered, grid-like structure – broad streets, crisscrossing at right angles, earmarked sites for buildings, palaces, havelis, temples and gardens, neighborhoods designated for particular castes and occupations. The main markets, shops, havelis and temples on the main streets were constructed by the state, thus ensuring that a uniform street façade was maintained in Jaipur. The city planning of Jaipur remains a unique response to the terrain that amalgamates ideas from an ancient Indian treatise to contemporary global town plans and Imperial Mughal architecture to finally produce a monumental urban form, unparalleled in its scale and magnificence for its times. While the grid iron pattern of planning has been used historically in city planning, its application at such a monumental scale for a planned trade city, along with its particular urban form, makes it an important example in the history of urban planning of the Indian subcontinent. The continuity of the architecture and urban form is enhanced by the functions of trade and craftsmanship that reflect the living heritage character of this innovative urban settlement.<br />
<br />
Criterion (vi): <br />
Historically, the city is said to have housed “<span style="font-weight: bold;" class="mycode_b">chattis karkhanas” (36 industries)</span>, the majority of which included crafts like gemstones, lac jewellery, stone idols, miniature paintings, each with a specified street and market some of which continue to exist. During 19th century, the local crafts received further momentum with British period influences in special exhibitions held in United Kingdom, establishment of institutions such as the Rajasthan School of Arts and Albert Hall Museum. While the local traditions of guilds continued, formal institutions for crafts, policies and programmes by Government and the private sector further contributed to national and international recognition of Jaipur crafts in the 20th and 21st centuries. There are 11 surviving crafts, and continuing building crafts of Jaipur contribute much to the conservation works of the city, and the renowned craftsmen from Jaipur continue to conserve and restore historic structures across many cities in India.<br />
<br />
<br />
for more detail... <br />
<a href="https://whc.unesco.org/en/list/1605/" target="_blank" rel="noopener" class="mycode_url">https://whc.unesco.org/en/list/1605/</a><br />
<a href="https://www.facebook.com/airnewsalerts/videos/341371246760580/" target="_blank" rel="noopener" class="mycode_url">https://www.facebook.com/airnewsalerts/v...246760580/</a><br />
<br />
<a href="https://whc.unesco.org/en/list/1605/" target="_blank" rel="noopener" class="mycode_url"><div class="bootbb-video-container" style="max-width:800px"><iframe src="https://www.facebook.com/video/embed?video_id=341371246760580" width="800" height="450" frameborder="0"></iframe></div></a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Indian Art And Architectural Heritage course]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2974</link>
			<pubDate>Fri, 07 Aug 2020 11:48:29 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3949">Shirish Sukhatme</a>]]></dc:creator>
			<guid isPermaLink="false">https://frontdesk.co.in/forum/showthread.php?tid=2974</guid>
			<description><![CDATA[<span style="font-size: large;" class="mycode_size">Indian Art And Architectural Heritage course </span><br />
Bhujang bodade<br />
1. Introduction <br />
<br />
<div class="bootbb-video-container" style="max-width:800px"><iframe width="800" height="450" src="//www.youtube-nocookie.com/embed/TKH3cYJ0uLI" frameborder="0" allowfullscreen="true"></iframe></div>
<br />
2. Yadava, Kakatiya, Chandel, Hoysala Dynasties Art And Architecture Presentation<br />
<div class="bootbb-video-container" style="max-width:800px"><iframe width="800" height="450" src="//www.youtube-nocookie.com/embed/p04dwAPP23k" frameborder="0" allowfullscreen="true"></iframe></div>]]></description>
			<content:encoded><![CDATA[<span style="font-size: large;" class="mycode_size">Indian Art And Architectural Heritage course </span><br />
Bhujang bodade<br />
1. Introduction <br />
<br />
<div class="bootbb-video-container" style="max-width:800px"><iframe width="800" height="450" src="//www.youtube-nocookie.com/embed/TKH3cYJ0uLI" frameborder="0" allowfullscreen="true"></iframe></div>
<br />
2. Yadava, Kakatiya, Chandel, Hoysala Dynasties Art And Architecture Presentation<br />
<div class="bootbb-video-container" style="max-width:800px"><iframe width="800" height="450" src="//www.youtube-nocookie.com/embed/p04dwAPP23k" frameborder="0" allowfullscreen="true"></iframe></div>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The gurugram home from the bygone havelia to present day apartments]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2960</link>
			<pubDate>Sun, 24 May 2020 15:21:13 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3">Manish Jain</a>]]></dc:creator>
			<guid isPermaLink="false">https://frontdesk.co.in/forum/showthread.php?tid=2960</guid>
			<description><![CDATA[<span style="font-size: medium;" class="mycode_size">The gurugram home from the bygone havelia to present day apartments</span><br />
 by shikha jain<br />
<br />
<div class="bootbb-video-container" style="max-width:800px"><iframe width="800" height="450" src="//www.youtube-nocookie.com/embed/BKkCFfqmdCc" frameborder="0" allowfullscreen="true"></iframe></div>]]></description>
			<content:encoded><![CDATA[<span style="font-size: medium;" class="mycode_size">The gurugram home from the bygone havelia to present day apartments</span><br />
 by shikha jain<br />
<br />
<div class="bootbb-video-container" style="max-width:800px"><iframe width="800" height="450" src="//www.youtube-nocookie.com/embed/BKkCFfqmdCc" frameborder="0" allowfullscreen="true"></iframe></div>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Arthuna the lost glory - danny cherian]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2849</link>
			<pubDate>Wed, 16 Oct 2019 14:55:54 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3150">R L kumar</a>]]></dc:creator>
			<guid isPermaLink="false">https://frontdesk.co.in/forum/showthread.php?tid=2849</guid>
			<description><![CDATA[<span style="font-size: medium;" class="mycode_size">Arthuna the lost glory </span><br />
danny cherian<br />
<br />
<br />
<br />
To Read more...<br />
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<br />
Taken from ARCHITECTURE + DESIGN Nov-Dec 2000]]></description>
			<content:encoded><![CDATA[<span style="font-size: medium;" class="mycode_size">Arthuna the lost glory </span><br />
danny cherian<br />
<br />
<br />
<br />
To Read more...<br />
<!-- start: postbit_attachments_attachment -->
<div style="padding:4px 0px;"><span class="inline-block vmiddle"><!-- start: attachment_icon -->
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<br />
Taken from ARCHITECTURE + DESIGN Nov-Dec 2000]]></content:encoded>
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		<item>
			<title><![CDATA[Calcutta Conservation Aspects - Nilina Deb Lal]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2848</link>
			<pubDate>Wed, 16 Oct 2019 14:27:58 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3150">R L kumar</a>]]></dc:creator>
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			<description><![CDATA[Calcutta Conservation Aspects <br />
Nilina Deb Lal<br />
<br />
The heritage of Calcutta has only recently entered the consciousness of its citizens and lawmakers. For many years after independence, the historical , and sociological relevance of the Calcutta of that era lay unrecognized and even heavily abused. It is only in the last decade that there have been a few scattered attempts at conservation, and a very slowly emerging awareness of the need for conservation not only for historical reasons but also as an investment for the future.<br />
<br />
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Taken from ARCHITECTURE + DESIGN Nov-Dec 2000]]></description>
			<content:encoded><![CDATA[Calcutta Conservation Aspects <br />
Nilina Deb Lal<br />
<br />
The heritage of Calcutta has only recently entered the consciousness of its citizens and lawmakers. For many years after independence, the historical , and sociological relevance of the Calcutta of that era lay unrecognized and even heavily abused. It is only in the last decade that there have been a few scattered attempts at conservation, and a very slowly emerging awareness of the need for conservation not only for historical reasons but also as an investment for the future.<br />
<br />
To Read more...<br />
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Taken from ARCHITECTURE + DESIGN Nov-Dec 2000]]></content:encoded>
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			<title><![CDATA[Restoring a Tomb's gateway - Ratish Nanda]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2846</link>
			<pubDate>Wed, 16 Oct 2019 14:06:09 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3150">R L kumar</a>]]></dc:creator>
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			<description><![CDATA[Restoring a Tomb's gateway <br />
Ratish Nanda<br />
<br />
To Read more...<br />
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Taken from ARCHITECTURE + DESIGN Nov-Dec 2000]]></description>
			<content:encoded><![CDATA[Restoring a Tomb's gateway <br />
Ratish Nanda<br />
<br />
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			<title><![CDATA[Heritage zone development old Goa prof edgar f ribeiro]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2845</link>
			<pubDate>Wed, 16 Oct 2019 13:50:57 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3150">R L kumar</a>]]></dc:creator>
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			<description><![CDATA[Heritage zone development old Goa <br />
prof. Edgar F Ribeiro<br />
<br />
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Taken from ARCHITECTURE + DESIGN Nov-Dec 2000]]></description>
			<content:encoded><![CDATA[Heritage zone development old Goa <br />
prof. Edgar F Ribeiro<br />
<br />
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			<title><![CDATA[heritage conservation efforts hydrabad  S P shorey]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2844</link>
			<pubDate>Wed, 16 Oct 2019 13:42:55 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3150">R L kumar</a>]]></dc:creator>
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			<description><![CDATA[heritage conservation efforts hydrabad  <br />
S P shorey<br />
<br />
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Taken from ARCHITECTURE+ DESIGN Nov-Dec 2000]]></description>
			<content:encoded><![CDATA[heritage conservation efforts hydrabad  <br />
S P shorey<br />
<br />
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			<title><![CDATA[Interventions in Vernacular Himachal Pradesh- Rajnish Wattas]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2842</link>
			<pubDate>Tue, 15 Oct 2019 16:07:40 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3150">R L kumar</a>]]></dc:creator>
			<guid isPermaLink="false">https://frontdesk.co.in/forum/showthread.php?tid=2842</guid>
			<description><![CDATA[<span style="font-size: medium;" class="mycode_size">Interventions in Vernacular Himachal Pradesh</span><br />
Rajnish Wattas<br />
<br />
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Taken from ARCHITECTURE+ DESIGN Nov-DEC 2000]]></description>
			<content:encoded><![CDATA[<span style="font-size: medium;" class="mycode_size">Interventions in Vernacular Himachal Pradesh</span><br />
Rajnish Wattas<br />
<br />
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			<title><![CDATA[Kaiserbagh, the garden palace Lucknow Neeta Das]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2841</link>
			<pubDate>Tue, 15 Oct 2019 15:58:48 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3150">R L kumar</a>]]></dc:creator>
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			<description><![CDATA[<span style="font-size: medium;" class="mycode_size">Kaiserbagh, the garden palace Lucknow </span><br />
Neeta Das<br />
<br />
The English word 'paradise' is simply a transliteration of the old Persian word pairidaeza referring to a walled garden; pairi means around and daeza means wall.' The paradise promised in the holy Quran is a beautiful garden, with shade and water as its ideal elements. 'Garden<br />
underneath which rivers flow' is a frequently used expression for the bliss of the faithful, and occurs more than thirty times in the Quran.<br />
In the paradise garden four main rivers are specified water, milk, wine and pure honey. Also, fruit trees in abundance are mentioned. The concept of a paradise garden was originally conceived from the quartered garden, known in Persia as the char bagh, or four gardens, divided by means of four water channels and contained within a private walled enclosure.<br />
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Taken from ARCHITECTURE + DESIGN nov dec 2000]]></description>
			<content:encoded><![CDATA[<span style="font-size: medium;" class="mycode_size">Kaiserbagh, the garden palace Lucknow </span><br />
Neeta Das<br />
<br />
The English word 'paradise' is simply a transliteration of the old Persian word pairidaeza referring to a walled garden; pairi means around and daeza means wall.' The paradise promised in the holy Quran is a beautiful garden, with shade and water as its ideal elements. 'Garden<br />
underneath which rivers flow' is a frequently used expression for the bliss of the faithful, and occurs more than thirty times in the Quran.<br />
In the paradise garden four main rivers are specified water, milk, wine and pure honey. Also, fruit trees in abundance are mentioned. The concept of a paradise garden was originally conceived from the quartered garden, known in Persia as the char bagh, or four gardens, divided by means of four water channels and contained within a private walled enclosure.<br />
<br />
To Read more...<br />
<br />
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			<title><![CDATA[The Case of Krishan Mandir- Kishankot Punjab]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2838</link>
			<pubDate>Tue, 15 Oct 2019 13:57:55 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3151">Savyasaachi</a>]]></dc:creator>
			<guid isPermaLink="false">https://frontdesk.co.in/forum/showthread.php?tid=2838</guid>
			<description><![CDATA[<span style="font-size: medium;" class="mycode_size">The Case of Krishan Mandir </span><br />
<span style="font-size: medium;" class="mycode_size">Kishankot Punjab </span><br />
Dr. Savyasaachi and Gurmeet S Rai<br />
In Punjab, parallel to the political geography of the green revolution and terrorism, there is a sacred geography of the historic buildings (one thousand and five hundred buildings were listed in seven of the thirteen districts located in the midst of urban and rural settings (a survey undertaken by the 'Cultural Resource Conservation Initiative' (CRCI) of historic building along the GT road . Many of these sites bring  together a rich virasat (cultural heritage) of inter-religious cooperation and exchange.<br />
<br />
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<br />
taken from ARCHITECTURE + DESIGN Nov.-Dec. 2000]]></description>
			<content:encoded><![CDATA[<span style="font-size: medium;" class="mycode_size">The Case of Krishan Mandir </span><br />
<span style="font-size: medium;" class="mycode_size">Kishankot Punjab </span><br />
Dr. Savyasaachi and Gurmeet S Rai<br />
In Punjab, parallel to the political geography of the green revolution and terrorism, there is a sacred geography of the historic buildings (one thousand and five hundred buildings were listed in seven of the thirteen districts located in the midst of urban and rural settings (a survey undertaken by the 'Cultural Resource Conservation Initiative' (CRCI) of historic building along the GT road . Many of these sites bring  together a rich virasat (cultural heritage) of inter-religious cooperation and exchange.<br />
<br />
To Read more...<br />
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taken from ARCHITECTURE + DESIGN Nov.-Dec. 2000]]></content:encoded>
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			<title><![CDATA[Rehabilitation of Bagore ki Haveli Mewar]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2836</link>
			<pubDate>Tue, 15 Oct 2019 13:07:58 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=3">Manish Jain</a>]]></dc:creator>
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			<description><![CDATA[<span style="font-size: medium;" class="mycode_size">Rehabilitation of Bagore ki Haveli Mewar </span><br />
Restoration Architect Dr. Rajiv Khanna<br />
<br />
Built on the banks of Lake Pichola in 1671 by Arnarchand Barwa, chief minister at the court of the Maharana of Mewar, Bagore ki Haveli acquired prominence as the home of Nath Singh, the second son of Maharana Sangram Singh II (1710-1734 AD). who was given the title- Maharaja of Bagore. The eminent position Bagore held in the political hierarchy of Mewar as the thikana (feudal house) of the second son, is clearly reflected in the planning, rich architectural detailing and grandeur of this 134 room haveli, which historians have compared with the royal palaces and forts of Mewar: Studied holistically and in comparison to other havelis of the same period, it is the perfect embodiment of medieval Rajput style and the social and cultural milieu of its times.<br />
<br />
To Read more...<br />
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Taken from ARCHITECTURE + DESIGN Nov-Dec 2000]]></description>
			<content:encoded><![CDATA[<span style="font-size: medium;" class="mycode_size">Rehabilitation of Bagore ki Haveli Mewar </span><br />
Restoration Architect Dr. Rajiv Khanna<br />
<br />
Built on the banks of Lake Pichola in 1671 by Arnarchand Barwa, chief minister at the court of the Maharana of Mewar, Bagore ki Haveli acquired prominence as the home of Nath Singh, the second son of Maharana Sangram Singh II (1710-1734 AD). who was given the title- Maharaja of Bagore. The eminent position Bagore held in the political hierarchy of Mewar as the thikana (feudal house) of the second son, is clearly reflected in the planning, rich architectural detailing and grandeur of this 134 room haveli, which historians have compared with the royal palaces and forts of Mewar: Studied holistically and in comparison to other havelis of the same period, it is the perfect embodiment of medieval Rajput style and the social and cultural milieu of its times.<br />
<br />
To Read more...<br />
<span style="color: #333333;" class="mycode_color"><span style="font-size: small;" class="mycode_size"><span style="font-family: Tahoma, Verdana, Arial, sans-serif;" class="mycode_font"><!-- start: postbit_attachments_attachment -->
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<img src="https://frontdesk.co.in/forum/images/attachtypes/pdf.gif" title="Adobe Acrobat PDF" alt=".pdf" />
<!-- end: attachment_icon --></span>
<a  class="vmiddle inline-block" href="attachment.php?aid=747" target="_blank">Conservation - Rehabilitation of Bagore ki Haveli Mewar - Dr. Rajiv Khanna.pdf</a> <span class="smalltext float_right">Size: <span class="inline-block vmiddle">1.57 MB</span>&nbsp;&nbsp;Downloads: <span class="inline-block vmiddle">15</span></span>
</div>
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Taken from ARCHITECTURE + DESIGN Nov-Dec 2000]]></content:encoded>
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			<title><![CDATA[The Changing Face of architectural studio.]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2668</link>
			<pubDate>Sat, 15 Dec 2018 09:31:26 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=692">yantramstudio</a>]]></dc:creator>
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			<description><![CDATA[Architectural design studio Computer animations have taken off in the real estate market and any other area that needs to see architectural elements in a real life situation. Architectural animation studio can make a very realistic presentation that will make you feel like you are inside a building or design. <a href="http://www.yantramstudio.com" target="_blank" rel="noopener" class="mycode_url">Architectural studio</a> Get a real visualization of your dream project with 3D house plans &amp; architectural rendering. Know here how 3d house plans can help you making decisions better.<br />
<br />
For more Detail: <a href="http://www.yantramstudio.com" target="_blank" rel="noopener" class="mycode_url">http://www.yantramstudio.com</a><br /><!-- start: postbit_attachments_attachment -->
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<a  class="vmiddle inline-block" href="attachment.php?aid=660" target="_blank">Bar Restaurant Design Ceiling Wooden Modern Chair.jpg</a> <span class="smalltext float_right">Size: <span class="inline-block vmiddle">172.03 KB</span>&nbsp;&nbsp;Downloads: <span class="inline-block vmiddle">0</span></span>
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<!-- end: postbit_attachments_attachment -->]]></description>
			<content:encoded><![CDATA[Architectural design studio Computer animations have taken off in the real estate market and any other area that needs to see architectural elements in a real life situation. Architectural animation studio can make a very realistic presentation that will make you feel like you are inside a building or design. <a href="http://www.yantramstudio.com" target="_blank" rel="noopener" class="mycode_url">Architectural studio</a> Get a real visualization of your dream project with 3D house plans &amp; architectural rendering. Know here how 3d house plans can help you making decisions better.<br />
<br />
For more Detail: <a href="http://www.yantramstudio.com" target="_blank" rel="noopener" class="mycode_url">http://www.yantramstudio.com</a><br /><!-- start: postbit_attachments_attachment -->
<div style="padding:4px 0px;"><span class="inline-block vmiddle"><!-- start: attachment_icon -->
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<a  class="vmiddle inline-block" href="attachment.php?aid=660" target="_blank">Bar Restaurant Design Ceiling Wooden Modern Chair.jpg</a> <span class="smalltext float_right">Size: <span class="inline-block vmiddle">172.03 KB</span>&nbsp;&nbsp;Downloads: <span class="inline-block vmiddle">0</span></span>
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			<title><![CDATA[Karli caves]]></title>
			<link>https://frontdesk.co.in/forum/showthread.php?tid=2561</link>
			<pubDate>Sat, 10 Nov 2018 16:03:13 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://frontdesk.co.in/forum/member.php?action=profile&uid=62">sumit patni</a>]]></dc:creator>
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			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">Karli caves </span></span><br />
<br />
The Karla cave complex is built into a rocky hillside around 60 km (37 mile ) from Pune, with large windows cut into the rock to light the cave interiors.<br />
<br />
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			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">Karli caves </span></span><br />
<br />
The Karla cave complex is built into a rocky hillside around 60 km (37 mile ) from Pune, with large windows cut into the rock to light the cave interiors.<br />
<br />
To Read more...<!-- start: postbit_attachments_attachment -->
<div style="padding:4px 0px;"><span class="inline-block vmiddle"><!-- start: attachment_icon -->
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