Moore stressed the need for “joy” in architecture. A MIX of historical forms, in his relation to high and low culture.
Derived from Mies van der Rohe‘s Farnsworth House (1946–51) at Plano, IL, but more classical in plan, the Glass House attests to Johnson‘s naturally critical turn of mind and his preoccupation with history.
Johnson is best known for his Post-Modern structures, like AT&T (now Sony) building. This granite clad skyscraper sounded the death knell for minimalist glass boxes. With its Classical loggia at the base and Chippendale top, it certified the marketibility of Post-Modernism. It borrows elements and references from the past and reintroduces symbolism to architecture.
Dissonance (Inharmonious) as an Aesthetic Strategy:
In his vivacious and engaging design for the New Staatsgalerie (New State Gallery) in Stuttgart, Germany, James Stirling combined classical forms with bright green, pink, and blue painted elements and seemingly imbalanced lines meeting at awkward and unpredictable angles